Current Exhibitions
The Bennett Prize: Rising Voices 3
September 14th - December 1st, 2024
The Bennett Prize, created in 2018, awards $50,000 to a woman artist to create her
own solo exhibition of figurative realist paintings, which then travels the country.
The Prize propels the careers of women painters who have not yet realized full professional
recognition, empowering new artists and those who have painted for many years. The
Prize expands opportunities for the public, who may not be familiar with figurative
realist painting, to learn more about the creative vision of talented women painters
in this increasingly popular genre. This exhibition includes the finalists of The
Bennett Prize and selected works by the previous year‘s winner.
Join us for the reception on Thursday, September 26, 6:00-8:00pm! Free and open to
the public.
Art Department Faculty Exhibition
August 12th - September 21st, 2024
The CSU Department of Art Faculty Exhibition returns, showcasing a diverse collection
of works by current Columbus State University Art Department faculty. The exhibition
will be displayed across both the Bo Bartlett Center galleries and the Department
of Art Illges Gallery. Visitors can expect to see a wide range of artistic mediums,
including printmaking, ceramics, photography, sculpture, installation art, animation,
painting, and mixed media pieces.
Thanks! Elizabeth and Mike Ogie, for supporting the exhibition and reception.
Join us for the reception on Tuesday September 10, 5:30-7:30pm!
Free and open to the public.
Zoey Frank
Painting at the Bo Bartlett Center
May 20th - December 13th, 2024
In 2021, Frank began work on a monumental 18’ x 20’ painting of a backyard gathering.
The painting spans five large canvases that she has been developing separately in
her studio. (The studio ceilings are only 10’ high.) She will be assembling the full
painting for the first time this summer and finishing it with a scissor lift during
a six-week artist residency under the high ceilings of the Bo Bartlett Center at Columbus
State University. She has put about a year of full time work into this project to
date.
Frank often uses a specific Baroque or Renaissance composition as the basis for a
painting. In this case, she chose Velasquez’s The Spinners, which is thought of as
an allegory for painting. In the foreground we witness women in the act of spinning
wool and in the background a group admires a finished tapestry. Velasquez represents
the material process making art from beginning to end. For this reason, The Spinners
felt like an apt starting place to craft her first monumental painting.
She works over a long period of time on her canvases, building up crusty layers of
figures and abstract patterns over time, gradually working towards a final version
of the composition. Traces of the earlier states of the painting remain visible, creating
a record of the process of making the work. This results in rough surfaces of thick
paint––and a unique combination of realistic, sculptural figures with abstract patterns
and shapes.
Zoey will be at the center from September 30 - October 5 during regular hours of operation.
Join us for Zoey Frank‘s artist talk Thursday October 3, 5:30-7:00pm! Free and open
to the public.
Works from the Bartlett Center's Permanent Collection
Works from the Sandy Bartlett Scarborough Collection of historically important paintings by Bo Bartlett features paintings and drawings
executed by the artist between 1977-2019, currently on view in the Scarborough Gallery.
Below are videos discussing some of the larger works that are a part of the center's
permanent collection:
- Civil War, 1994, Oil on linen, 134 x 204 in.
- Damascus Road, 1988, Oil on linen, 120 x 168 in.
- Good Old Days, 2000, Oil on linen, 94 x 98 in.
- Habeas Corpus, 2006, Oil on linen, 82 x 128 in.
- Hiroshima, 1994, Oil on linen, 134 x 204 in.
- Leviathan, 2000, Oil on linen, 188 x 138 in.
- Object Permanence, 1986, Oil on linen, 120 x 168 in.
- Parents, 1988, Oil on linen, 88 x 112 in.
- Tarmac, 1986, Oil on linen, 88 x 176 in.
- The Last Correspondence of Ray Johnson, 2006, Oil on linen, 88 x 67.5 in.
Bo's Brain
Curated by Bo Bartlett, Bo's Brain is currently installed in the Cheves Archival Gallery with a time-lapse video by Matt Hanner and two channel audio by Man Bartlett.
Watch The Brain with Bo Bartlett