Current Exhibitions
Elizabeth Brim
Mama‘s Hat, 2006, Forged and fabricated steel
Elizabeth Brim
January 20th - April 25th
Born and raised in Columbus, Georgia, Elizabeth Brim forged her way as a pioneer of
contemporary blacksmithing. With her upbringing in the deep south as a significant
source of inspiration, she draws from traditional trappings of a proper southern lady:
a Sunday hat, strappy high heeled shoes, a lace-fringed pillow, and a silky slip dress
to name a few. She introduced a distinctly feminine perspective into the male-dominated
field in the late 1980’s. The irony and metaphor of such delicate objects wrought
in iron cannot be missed. This exhibition is the first exhibition of her ironwork
in Columbus- a true homecoming.
Thank you to our sponsors:
Billy Kendall
- Carol & Bob Nace
- Chris & Ken Henson
- Donna and Kerry Hand
- Elizabeth & Mike Ogie
- Irene Pate
- Mike Pate
- Nancy E. Arrington
- Penland School of Craft
- Robbie Keith Holt
- Sallie & John Martin
- Sherry & Bill Green
Please join us in celebrating Elizabeth Brim‘s exhibition at the public reception
on March 26th, 6-8 pm, with a screening of Iron Pearls, a retrospective film of Elizabeth, to begin at 7:30 pm.
Khalif Thompson
Baldwin, Mixed media
We Are the Drum and the Scribe: Black Art in America Collection
January 20th - May 16th
We Are the Drum and the Scribe is both an exhibition and an affirmation of Black Art In America‘s (BAIA) ongoing
mission to document, preserve, and promote the contributions of African American visual
culture.
As the scribe, BAIA records, preserves, and safeguards the visual histories of African American
artists—ensuring that their legacies, past and present, are written into the record
of American art.
As the drum, BAIA amplifies those voices—allowing both emerging and established artists to resonate
across the nation through exhibitions, collections, media, and meaningful institutional
partnerships.
Presented at the Bo Bartlett Center in Columbus, Georgia, this exhibition reflects
BAIA‘s core mission while serving as a living reminder that Black stories are to be
kept and experienced.
Thank you to our sponsors:
BAIA
JoAnne & Robert Hecht
Please join us in celebrating We Are the Drum and the Scribe at the public reception on February 19th, 6-8pm!
Bo Bartlett
HomeFront, Oil on linen
Bo Bartlett: Paintings from the HomeFront
January 20th - March 14th
Georgia-born artist Bo Bartlett has been heard to whisper in confidence that he is
unofficially “retiring”. No one knows what that means or what it may look like, but
apparently work is continuing in the privacy of his studios both in Georgia and in
Maine.
Thank you to our sponsors:
Helen & Comer Hobbs
Sandy & Otis Scarborough
& other anonymous donors
Please join us in celebrating Paintings from the HomeFront at the public reception on February 10th, 5-7pm!
Works from the Bartlett Center's Permanent Collection
Works from the Sandy Bartlett Scarborough Collection of historically important paintings by Bo Bartlett features paintings and drawings
executed by the artist between 1977-2019, currently on view in the Scarborough Gallery.
Below are videos discussing some of the larger works that are a part of the center's
permanent collection:
- Civil War, 1994, Oil on linen, 134 x 204 in.
- Damascus Road, 1988, Oil on linen, 120 x 168 in.
- Good Old Days, 2000, Oil on linen, 94 x 98 in.
- Habeas Corpus, 2006, Oil on linen, 82 x 128 in.
- Hiroshima, 1994, Oil on linen, 134 x 204 in.
- Leviathan, 2000, Oil on linen, 188 x 138 in.
- Object Permanence, 1986, Oil on linen, 120 x 168 in.
- Parents, 1988, Oil on linen, 88 x 112 in.
- Tarmac, 1986, Oil on linen, 88 x 176 in.
- The Last Correspondence of Ray Johnson, 2006, Oil on linen, 88 x 67.5 in.
Bo's Brain
Curated by Bo Bartlett, Bo's Brain is currently installed in the Cheves Archival Gallery with a time-lapse video by Matt Hanner and two channel audio by Man Bartlett.
Watch The Brain with Bo Bartlett